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・ Long Live Heavy Metal
・ Long Live King George
・ Long Live Koko
・ Long Live Love
・ Long Live Love (album)
・ Long Live Love (Chris Andrews song)
・ Long Live Love (Olivia Newton-John song)
・ Long live our noble Duke
・ Long Live our State
・ Long Live Rock
・ Long Live Rock 'n' Roll
・ Long Live Rock 'n' Roll (Kraljevski Apartman album)
・ Long Live Southbank
・ Long Live the Bride and Groom
・ Long Live the Island Frogs
Long Live the Kane
・ Long Live the King
・ Long Live the King (album)
・ Long Live the King (EP)
・ Long Live The Kings
・ Long Live the Lady!
・ Long Live the League
・ Long Live the Loud
・ Long Live the Past E.P.
・ Long Live the Queen
・ Long Live the Queen (film)
・ Long Live the Queen (song)
・ Long Live the Queen (video game)
・ Long Live the Queens!
・ Long Live the Royals


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Long Live the Kane : ウィキペディア英語版
Long Live the Kane

''Long Live the Kane'' is the debut album by MC Big Daddy Kane, released by Cold Chillin' Records in 1988. It was produced by Marley Marl and established both as premier artists during hip hop's golden age. Kane displayed his unique rapping technique while covering topics including love ("I'll Take You There"), Afrocentricity ("Word to the Mother(Land)") and his rapping prowess ("Set It Off"). Marley Marl and Big Daddy Kane display a sparse production style - creating beats with fast-paced drums and lightly utilized James Brown samples.
Four singles were released in promotion of Kane's first album: "Raw/Word to the Mother (Land)," "Ain't No Half-Steppin'/Get Into It," "I'll Take You There/Wrath of Kane" and "Set It Off/Get Into It." The most commercially successful of these singles were "Ain't No Half-Steppin'", which reached #53 on the Hot R&B/Hip-Hop Singles & Tracks chart, and "I'll Take You There", which reached #73 on the same chart, but also peaked at #21 on the Hot Rap Singles chart. The other two singles did not chart, but "Raw" and "Set It Off" popularized Big Daddy Kane's high-speed style and abundant use of word play. "Raw" and "Ain't No Half Steppin'" are both described as "underground sensation()" and "classic()" by Allmusic's Steve Huey.〔(Big Daddy Kane Biography at Allmusic )〕 "Raw" does not appear on ''Long Live the Kane'', but a remix which utilizes the same beat does.
Big Daddy Kane's debut album contains many tracks that were later featured on greatest hits compilations. "Ain't No Half Steppin'" alone is featured on ''The Very Best of Big Daddy Kane'', ''Marley Marl's House of Hits'', two "best of" Cold Chillin' Records compilations and over five additional hip-hop hit compilations.〔(Ain't No Half Steppin' at Allmusic )〕 Nowithstanding "Ain't No Half Steppin'," ''The Very Best of Big Daddy Kane'' contains five songs from Kane's debut album. Allmusic's Steve Huey regards "'Raw,' 'Set It Off,' and 'Ain't No Half-Steppin' () flawless bids for immortality () haven't lost an ounce of energy."〔(The Very Best of Big Daddy Kane at Allmusic )〕
The album is broken down track-by-track by Big Daddy Kane in Brian Coleman's book Check the Technique.〔Coleman, Brian, 2007, ''Check The Technique: Liner Notes For Hip-Hop Junkies'', Villard, Random House.〕
==Recording & production==
As is the case with many Juice Crew associated projects on the Cold Chillin' label, the production was handled by legendary beatmaker Marley Marl. This has become a source of contention among many former artists on the label, Big Daddy Kane included. According to these artists, Marl was not really responsible for the production on their songs, arguing that he contributed little to no creative input beyond engineering and programming the drums. Marl has countered the artists claims by suggesting that the rappers had limited knowledge of production equipment, and would have not gotten the same signature "boom bap" sound that was unique to the producer.
In reality, many Juice Crew rappers would indeed bring in records that they wished to sample, and choose which parts they wished to rhyme over. Marl would then hook the beat up on a sampler, and give it his characteristic sound. This artistic synergy resulted in songs like "Ain't No Half Steppin'", which according to Kane, Marl initially disapproved of because of its multiple samples. Others were already full songs before being programmed, such as "Just Rhymin' With Biz" and "Set It Off". "Set It Off" was originally made by DJ Mark the 45 King, and was intended for Biz Markie. However, Kane heard it and liked the James Brown sound it had, asking 45 King for the beat. The 45 King sped up the beat, and gave the song its signature sampled hook.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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